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Kim, Hyemin, "Ben Coonley's Winter Games: Projections of Poetics of Emersonian Ecological Togetherness," Desistfilm, 16 March 2019.

Pinkerton, Nick, "Square Space," Artforum, 10 August 2018.
Goldsmith, Leo, "'Flat Is Beautiful' Considers Pixelvision’s Second Life," The Village Voice, 10 August 2018.
Kim, Hyemin, "Pixelvision: The Affinities with the Low-Res Materiality of the World," Desistfilm, 9 August 2018.

Hale, Mike, "A Retort to Shrinking Screens, in an Ultra-Immersive show at the Whitney," New York Times, 25 October 2016.
Delson, Susan, "Whitney Exhibit Re-Imagines Film History," Wall Street Journal, 26 October 2016.

Bernstein, Felix, "Planetarium of Blended Dreams," The Brooklyn Rail, April 2016.
Hubert, Craig, "Ben Coonley and His Cat Present 3-D Video Installations in Brooklyn," Blouin Artinfo, March 1, 2016.

Balsom, Erika, "Parallax Plurality: 3D Beyond the Feature Film," Artforum, September 2015.
Furfaro, Danielle, "Off the wall! BAM holds 3-D film fest," The Brooklyn Paper, April 30, 2015.

Blau, Gavan, "Interview with Ben Coonley," West Space Journal No. 1 (Winter 2013).
Moulon, Dominique, "Berlin: arts, technologies, and events," Digitalarti No. 13, April-May-June 2013
Droitcour, Brian, "I Don't Always Like Being in My Videos," Culture Two, May 2, 2013
Fallon, Roberta, "New York in March," The Artblog, March 28, 2013
Rukoff, Rebekah, "Perfect Strangers, Alone Together," Cacophony, February 27, 2013

Loudis, Jessica, "Photographers gather to celebrate ‘Blind Spot’ and tell funny stories about picture-taking," Politico New York, March 21, 2012.

Dullaart, Constant, "YouTube as a Subject." In Net Works: Case Studies in Web Art and Design, edited by xtine burrough. New York: Routledge, 2011.
Droitcour, Brian, "Costume Drama,", November 11, 2011.

Performance: 21 Leading Lights of Projection (poll),” Film Comment, May-June 2010.

Droitcour, Brian, “Party of Five,”, May 24, 2010.
Kahn, Baseera Fox, and Jon Lutz, "Ben Coonley & Dr. Jonathan Zizmor," Real  Nonfiction: The 3rd Annual Artists from the Registry Exhibition (Catalogue), Brooklyn: BRIC Arts Media, 2010.

Clarkson, Lamar, “Is the Doctor In?: Deconstructing the Zizmor Brand,” New York Press October 1, 2009
Lozano, Ivan, "No Drinks Allowed in Screening Room," Glasstire, January 19, 2009.
Berry, Scott Miller, and Pablo de Ocampo, Images Festival (catalog), Toronto: Images Festival, 2009.
Hogue, Gretchen, PDX Film Fest 2009 (Catalog), Portland: PDX Film Festival, 2009.

Walleston, Aimee, “No Soul For Sale: A Festival of Independents (photo),” Art in America (online), 23 June 2008.

Clarkson, Lamar, “Single Black-and-White Feline Finds Love at Biennial” ARTNews, November 2008.

Snyder, James, “The Underground Is Dead. Long Live the Underground.,” The L Magazine, 16 April 2008.

Ingman, Marrit, “The Advance’s Retreat,” The Austin Chronicle, 14 September 2007.

Ikenberg, Tamara. “Crazy Cat Lads,” The Courier-Journal, Louisville, KY, Marc 18, 2006.

Parsons, Spencer, “New York Underground Film Festival,” Filmmaker, May 5, 2004. 2003.

Halter, Ed. “Cinematexas: An oasis of radicalism deep in Bush country
,” The Village Voice, October 8-14, 2003.
Speltzer, Andy, “My Kind of Festival,” The Stranger, Vol. 12, No. 51, September 3-10, 2003.

Cockburn, Daniel, “Ben Coonley: Installation for Domestic Cats,” Lola, No. 11, (Winter, 2001-2002) 72-73.